Editing 1635: Birdsong

The comic is a play on the words ''bird'' and ''song''.  Songbirds, of course, don't actually sing: the sounds they make are territorial challenges, mating cries, etc. But in Western cultural traditions, particularly the {{w|pastoral}} one, imagining these sounds as 'song' is part of seeing nature as beautiful and harmonious. Ironically, the fact that this bird is really singing pop music, is perceived by Cueball to be an intrusion.

In the title text Cueball suggest playing {{w|Pastoral#Pastoral_music|pastoral music}} to 'reprogram' the bird, which is of course an even more unnatural intervention - all with the purpose of restoring the pastoral naturalness of the nature. Of course some birds can actually {{w|Talking bird|emulate human words}}, and in this way also sing real words, like with the {{w|common hill myna}}. Other birds can mimic any odd and unusual sounds, particularly the {{w|lyrebird}} of Australia is known to reproduce all types of sounds from chainsaws to barking dogs and certainly also music.

The title text of "reprogramming" the bird by placing it in a box also refers to {{w|B. F. Skinner|B.F. Skinner}} and his development of {{w|Programmed learning|programmed learning}} through his theories of operand conditioning and behaviorism in psychology. By famously using birds in so-called {{w|Skinner boxes}}, he conditioned birds to respond to certain stimuli and expect rewards for particular behaviors, leading to an understanding of many impulsive behaviors in humans like addiction. Cueball apparently hopes to "correct" the bird and its song through this method.  

:[Cueball stops and looks up when the bird above him starts to sing using human language, four notes are floating around the text. The text of the bird's song is in ''italic text'' to indicate this.]