Editing 451: Impostor

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In the third panel, the humor comes from the fact that the idea of {{w|sociology}} existing to rank human beings on some arbitrary intrinsic value is not only ridiculous in a scientific context, but also politically offensive. Cueball unknowingly recreates the logic behind some of the worst crimes in human history, a problem sociologists are trained to be very aware of. However, it may be something that a less educated non-sociologist would assume could pass within the field. When he describes his unscientific and offensive approach, we see one of the sociology grad students facepalming in exasperation. Because a non-expert may be able to sound somewhat educated in sociology before making such a slip-up, it is four minutes into the conversation before he is detected.
 
In the third panel, the humor comes from the fact that the idea of {{w|sociology}} existing to rank human beings on some arbitrary intrinsic value is not only ridiculous in a scientific context, but also politically offensive. Cueball unknowingly recreates the logic behind some of the worst crimes in human history, a problem sociologists are trained to be very aware of. However, it may be something that a less educated non-sociologist would assume could pass within the field. When he describes his unscientific and offensive approach, we see one of the sociology grad students facepalming in exasperation. Because a non-expert may be able to sound somewhat educated in sociology before making such a slip-up, it is four minutes into the conversation before he is detected.
  
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In the final panel, he attempts to pass as an expert in {{w|literary criticism}}. This field notoriously uses a great deal of impenetrable jargon, so when Cueball makes up seemingly meaningless sentences, no one notices. His quip at "deconstructing the self" may be a meta joke about the field itself failing under deconstruction... (or this sentence may be a meta-meta- example of someone applying literary criticism standards to the analysis of this specific comic). We find that rather than being caught out within minutes as in the other fields, he has now published 8 papers and 2 books. The humor comes from the fact that he has accidentally made himself into a recognized authority in the field, despite not having any idea what he was talking about. In this panel, Cueball is sitting in an armchair in the position of an expert lecturing to a student, who sits at his feet apparently absorbing his inane statement.
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In the final panel, he attempts to pass as an expert in {{w|literary criticism}}. This field notoriously uses a great deal of impenetrable jargon, so when Cueball makes up seemingly meaningless sentences, no one notices. It gets to the point where Cueball claims he can apply literary deconstruction to the bookshelf a book is resting on, a statement that should be utterly absurd, only for the grad students to accept it. His quip at "deconstructing the self" may also be a meta joke about the field itself failing under deconstruction... (or this sentence may be a meta-meta- example of someone applying literary criticism standards to the analysis of this specific comic). We find that rather than being caught out within minutes as in the other fields, he has now published 8 papers and 2 books. The humor comes from the fact that he has accidentally made himself into a recognized authority in the field, despite not having any idea what he was talking about. In this panel, Cueball is sitting in an armchair in the position of an expert lecturing to a student, who sits at his feet apparently absorbing his inane statement.
  
 
This implies that the field itself has published a great deal of meaningless things that only superficially look meaningful through the impenetrability of the jargon. The title text challenges the audience to take a look at {{w|Deconstruction|the Wikipedia article for literary deconstruction}} if they don't believe this criticism applies - the Wikipedia article in question is almost constantly flagged for "clean-up" on the grounds that it's a jumbled mess. An archive of the article as it was when this comic was published is available [https://en.wikipedia.org/w/index.php?title=Deconstruction&oldid=225953741 here].
 
This implies that the field itself has published a great deal of meaningless things that only superficially look meaningful through the impenetrability of the jargon. The title text challenges the audience to take a look at {{w|Deconstruction|the Wikipedia article for literary deconstruction}} if they don't believe this criticism applies - the Wikipedia article in question is almost constantly flagged for "clean-up" on the grounds that it's a jumbled mess. An archive of the article as it was when this comic was published is available [https://en.wikipedia.org/w/index.php?title=Deconstruction&oldid=225953741 here].

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