Editing 575: Tag Combination
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Song tags are a form of file {{w|metadata}} used to categorize music. Tags will typically describe the content and genre of the song, and many music organization programs and services will allow users to find all songs that contain a particular tag; so when a user searches for "Country breakup music," they will receive a list of {{w|Country music|country}} songs about breaking up. | Song tags are a form of file {{w|metadata}} used to categorize music. Tags will typically describe the content and genre of the song, and many music organization programs and services will allow users to find all songs that contain a particular tag; so when a user searches for "Country breakup music," they will receive a list of {{w|Country music|country}} songs about breaking up. | ||
− | In this comic, [[Cueball]] tests [[Megan]]'s claim that she can make a song name for any set of tags by coming up with a collection of mostly unrelated words: "{{w|lesbian}} {{w|voyeurism}} {{w|one-hit wonder}} {{w|Mashup (music)|mash-up|}}." A {{w|lesbian}} is a woman who is only sexually interested in other women. {{w|Voyeurism}} is the act of watching someone else do something sexual, generally without their knowledge. A {{w|one-hit wonder}} is a band that had "one big hit" before fading from the public eye forever. A {{w|Mashup (music)|mash-up}} is when someone takes two previously unrelated songs and makes a third song that's a mix of both of them (a recent example of which would be [http://www.youtube.com/watch?v=82LCKBdjywQ this Gangam Style/Ghostbusters theme mashup]). In response, Megan immediately replies with | + | In this comic, [[Cueball]] tests [[Megan]]'s claim that she can make a song name for any set of tags by coming up with a collection of mostly unrelated words: "{{w|lesbian}} {{w|voyeurism}} {{w|one-hit wonder}} {{w|Mashup (music)|mash-up|}}." A {{w|lesbian}} is a woman who is only sexually interested in other women. {{w|Voyeurism}} is the act of watching someone else do something sexual, generally without their knowledge. A {{w|one-hit wonder}} is a band that had "one big hit" before fading from the public eye forever. A {{w|Mashup (music)|mash-up}} is when someone takes two previously unrelated songs and makes a third song that's a mix of both of them (a recent example of which would be [http://www.youtube.com/watch?v=82LCKBdjywQ this Gangam Style/Ghostbusters theme mashup]). In response, Megan almost immediately replies with two song titles that look like they would fit the tags well. |
− | Megan's first title, "I Wish That Stacy's Mom Had Jessie's Girl" is a ''mash-up'' of {{w|Jessie's Girl|"Jessie's Girl"}} by {{w|Rick Springfield}} | + | Megan's first title, "I Wish That Stacy's Mom Had Jessie's Girl" is a ''mash-up'' of {{w|Jessie's Girl|"Jessie's Girl"}} by {{w|Rick Springfield}}, and {{w|Stacy's Mom|"Stacy's Mom"}} by {{w|Fountains of Wayne}}, the latter was a ''one-hit-wonders'', whereas Springfield has had several other hits. (The song Stacy's Mom was referenced in comic [[61: Stacey's Dad]]). |
− | The second title, "When You Come on Eileen I Touch Myself" is a ''mash-up'' of {{w|Come On Eileen|"Come on Eileen"}} by {{w| | + | The second title, "When You Come on Eileen I Touch Myself" is a ''mash-up'' of {{w|Come On Eileen|"Come on Eileen"}} by {{w|Dexy's Midnight Runners}}, and {{w|I Touch Myself|"I Touch Myself"}} by {{w|Divinyls}}. Both of these are one-hit wonders (and can both be found on [http://afrokayo.web.fc2.com/mdata_vh1_greatest_onehit_wonders.html this list] of such songs). Note that "Come on, Eileen" means "Hurry up, Eileen", and that "to come on someone" means to ejaculate on someone. |
− | + | ===Tags=== | |
+ | *Lesbian: Here "had" means "had sex with". The two women having sex are Stacy's mom and Jessie's Girl | ||
+ | *Voyeurism: | ||
+ | **Someone wishes the two women had each other (so they could be looked upon) | ||
+ | **"When You Come on Eileen I Touch Myself", i.e. the voyeur looks at someone who actually comes on Eileen while they are having sex. However this sentence would only make sense if she had sex with a man - i.e. not lesbian sex. But of course the voyeur could be a lesbian woman who had feelings for Eileen - not for the man. But why she would then be aroused when a man came on her is not clear. | ||
+ | *One-hit wonder: "Stacy's Mom", "Come on Eileen" and "I Touch Myself" | ||
+ | *Mash-up: Both verses are mash-ups of two other song titles. | ||
===Title text=== | ===Title text=== | ||
− | The title text is a set of potential lyrics to Megan's second title. [[Randall]] borrowed the rhyme scheme, phrasing, and subject matter from the first eight {{w| | + | The title text is a set of potential lyrics to Megan's second title. [[Randall]] borrowed the rhyme scheme, phrasing, and subject matter from the first eight stanzas of {{w|I Touch Myself|"I Touch Myself"}} with additional subject matter inspired by {{w|Come On Eileen|"Come on Eileen."}} The final stanza is the chorus lead-in from the latter. |
− | + | Here are the lyrics for [http://www.metrolyrics.com/i-touch-myself-lyrics-the-divinyls.html I Touch Myself] and [http://www.metrolyrics.com/come-on-eileen-lyrics-dexys-midnight-runners.html Come on Eileen]. Below in the table the mashed up lines noted down: | |
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− | Here are the lyrics for [http://www.metrolyrics.com/i-touch-myself-lyrics-the-divinyls.html I Touch Myself] and [http://www.metrolyrics.com/come-on-eileen-lyrics-dexys-midnight-runners.html Come on Eileen]. Below in the table the mashed up lines | ||
{| class="wikitable" | {| class="wikitable" | ||
Line 33: | Line 37: | ||
|- | |- | ||
| I love Eileen | | I love Eileen | ||
− | | '''I love''' myself (1st line) | + | | '''I love''' myself (1st line) |
− | | Come on '''Eileen''' (1st line) | + | | Come on '''Eileen''' (1st line of chorus) |
|- | |- | ||
| and want you to love her | | and want you to love her | ||
Line 41: | Line 45: | ||
|- | |- | ||
| When you're around | | When you're around | ||
− | | '''When you're around''' | + | | '''When you're around''' |
− | | No line | + | | No line |
|- | |- | ||
| I'm one floor above her | | I'm one floor above her | ||
− | | '''I''' want you '''above''' me | + | | '''I''' want you '''above''' me |
| No line - the '''her''' is now referring to Eileen. | | No line - the '''her''' is now referring to Eileen. | ||
|- | |- | ||
| If you could see | | If you could see | ||
− | | A fool '''could see''' | + | | A fool '''could see''' |
| No line. | | No line. | ||
|- | |- | ||
Line 58: | Line 62: | ||
| Oh, that pretty red dress | | Oh, that pretty red dress | ||
| There are many '''Oh''' in this song, but also in the other. | | There are many '''Oh''' in this song, but also in the other. | ||
− | | '''That pretty red dress''' | + | | '''That pretty red dress''' |
|- | |- | ||
| I'd do anything for her | | I'd do anything for her | ||
− | | '''I'd do anything for''' you | + | | '''I'd do anything for''' you |
| No line - the '''her''' is now referring to Eileen. | | No line - the '''her''' is now referring to Eileen. | ||
|- | |- | ||
| (Too ra loo ra too ra loo rye ayy) | | (Too ra loo ra too ra loo rye ayy) | ||
− | | No line | + | | No line |
− | | '''(Too ra loo ra too ra loo rye ayy)''' | + | | '''(Too ra loo ra too ra loo rye ayy)''' |
|} | |} | ||
Line 84: | Line 88: | ||
:Megan: "When you Come On Eileen I touch myself." | :Megan: "When you Come On Eileen I touch myself." | ||
:Cueball: Okay, wow. | :Cueball: Okay, wow. | ||
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{{comic discussion}} | {{comic discussion}} | ||
[[Category:Comics featuring Cueball]] | [[Category:Comics featuring Cueball]] | ||
[[Category:Comics featuring Megan]] | [[Category:Comics featuring Megan]] | ||
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[[Category:Music]] | [[Category:Music]] | ||
[[Category:Homosexuality]] | [[Category:Homosexuality]] |