Editing 2650: Deepfakes

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The {{w|complaint tablet to Ea-nasir}} is a 3,800 year-old clay tablet containing the oldest known written complaint, in which a customer complains to a merchant, Ea-nasir, about the quality of his copper ingots. Cueball's last statement says that perhaps this complaint could have been a lie to begin with, and there was nothing wrong with Ea-nasir's wares. This supposition is arguably the humor of the comic, apart from the hyperbole of the title text.
 
The {{w|complaint tablet to Ea-nasir}} is a 3,800 year-old clay tablet containing the oldest known written complaint, in which a customer complains to a merchant, Ea-nasir, about the quality of his copper ingots. Cueball's last statement says that perhaps this complaint could have been a lie to begin with, and there was nothing wrong with Ea-nasir's wares. This supposition is arguably the humor of the comic, apart from the hyperbole of the title text.
  
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The title text references the {{w|Cottingley Fairies}}, a series of five photographs produced in 1917 by two children, Elsie Wright and Frances Griffiths, who were 16 and 9, respectively. The photographs appear to show the children playing with fairies in their garden. The photographs received widespread attention when Sir {{w|Arthur Conan Doyle}}, the author of the {{w|Sherlock Holmes}} stories, used the photos as proof of paranormal phenomena in a 1920 magazine article. Conan Doyle was noteworthy for being a strong proponent of reaching conclusions based on evidence and reason, and also held a deep belief in paranormal and supernatural phenomena. In 1983, Elsie and Frances finally confessed that the photos had been faked, by the simple process of making and posing cardboard cutouts traced from figures in a children's book with wings added. Due to technical advances, young children now can more easily create convincingly realistic fakes,{{Actual citation needed}} but similarly there are many more self-styled 'experts' willing and able to dedicate themselves to 'proving' one or other side of any argument about authenticity.
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The title text references the {{w|Cottingley Fairies}}, a series of five photographs produced in 1917 by two children, Elsie Wright and Frances Griffiths, who were 16 and 9, respectively. The photographs appear to show the children playing with fairies in their garden. The photographs received widespread attention when Sir {{w|Arthur Conan Doyle}}, the author of the {{w|Sherlock Holmes}} stories, used the photos as proof of paranormal phenomena in a 1920 magazine article. Conan Doyle was noteworthy for being a strong proponent of reaching conclusions based on evidence and reason, and also held a deep belief in paranormal and supernatural phenomena. In 1983, Elsie and Frances finally confessed that the photos had been faked, by the simple process of making and posing cardboard cutouts traced from figures in a children's book with wings added. Due to technical advances, young children now can more easily create convincingly realistic fakes,{{actual Citation needed}} but similarly there are many more self-styled 'experts' willing and able to dedicate themselves to 'proving' one or other side of any argument about authenticity.
  
 
A similar dilemma was alluded to in the [[1958: Self-Driving Issues]] comic, where technology does not create a new way to lie, but may make certain lies more convincing to some parties, such as self-driving cars in that comic.
 
A similar dilemma was alluded to in the [[1958: Self-Driving Issues]] comic, where technology does not create a new way to lie, but may make certain lies more convincing to some parties, such as self-driving cars in that comic.

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