Editing 2799: Frankenstein Claim Permutations

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''{{w|Frankenstein}}'' is an 1818 novel by Mary Shelley about a young scientist named Victor Frankenstein who creates a sapient, humanoid lifeform through an unorthodox experiment, and then rejects his creation, which eventually turns on him. The novel is a classic in both the horror and speculative fiction genres, and has been argued to represent the first major example of true science fiction in literature. The lifeform he creates is never named in the original novel, only being referred to as "the Creature".  
 
''{{w|Frankenstein}}'' is an 1818 novel by Mary Shelley about a young scientist named Victor Frankenstein who creates a sapient, humanoid lifeform through an unorthodox experiment, and then rejects his creation, which eventually turns on him. The novel is a classic in both the horror and speculative fiction genres, and has been argued to represent the first major example of true science fiction in literature. The lifeform he creates is never named in the original novel, only being referred to as "the Creature".  
  
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In the two centuries since the novel's publication, the story and its characters have been adapted and reused in various forms, and the term "Frankenstein" has come to be commonly used to refer to the creature, rather than the scientist who created him. Literary didacts are often quick to point out this error, but are generally ignored, as the name has become accepted, common usage. The debate has become something of a meme. The Creature himself, at one point, refers to himself as effectively being Frankenstein's son, which could imply he wishes to carry the same name; at the same time, Doctor Frankenstein does not treat his creation with such a level of humanity and speaks as if the Creature is completely nameless. To this day the debate continues among literary analysts whether the Creature should remain nameless for these reasons. These disputes have previously been touched upon in [[1589: Frankenstein]] and [[2604: Frankenstein Captcha]]
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In the two centuries since the novel's publication, the story and its characters have been adapted and reused in various forms, and the term "Frankenstein" has come to be commonly used to refer to the creature, rather than the scientist who created him. Literary didacts are often quick to point out this error, but are generally ignored, as the name has become accepted, common usage. The debate has become something of a meme. The Creature himself, at one point, refers to himself as effectively being Frankenstein's son, which could imply he wishes to carry thr same name; at the same time, Doctor Frankenstein does not treat his creation with such a level of humanity and speaks as if the Creature is completely nameless. To this day the debate continues among literary analysts whether the Creature should remain nameless for these reasons. These disputes have previously been touched upon in [[1589: Frankenstein]] and [[2604: Frankenstein Captcha]]
  
 
The title text points out that he's "stitching together" various claims to create something new, and people consider him mad as a result. This refers to the notion of Frankenstein's creation having been stitched together from dead bodies, and Dr. Frankenstein himself being denounced as a madman. It should be noted that these perceptions come from later adaptations (most notably {{w|Frankenstein_(1931_film)|the 1931 film}}) rather than the original novel, but have become closely associated with the Frankenstein mythos. Following similar meta-textual logic, the title "Frankenstein Claim Permutations" is a double entendre, meaning both (1) permutations of claims regarding the novel ''Frankenstein'' and (2) permutations of claims of a Frankenstein nature (i.e. a franken-claim) in that they are formed by haphazardly joining together different parts.
 
The title text points out that he's "stitching together" various claims to create something new, and people consider him mad as a result. This refers to the notion of Frankenstein's creation having been stitched together from dead bodies, and Dr. Frankenstein himself being denounced as a madman. It should be noted that these perceptions come from later adaptations (most notably {{w|Frankenstein_(1931_film)|the 1931 film}}) rather than the original novel, but have become closely associated with the Frankenstein mythos. Following similar meta-textual logic, the title "Frankenstein Claim Permutations" is a double entendre, meaning both (1) permutations of claims regarding the novel ''Frankenstein'' and (2) permutations of claims of a Frankenstein nature (i.e. a franken-claim) in that they are formed by haphazardly joining together different parts.

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