Editing 412: Startled
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==Explanation== | ==Explanation== | ||
| − | [[Black Hat]], the cool-headed troll, has the tables turned on him. Almost always seen antagonizing other characters, | + | [[Black Hat]], the cool-headed troll, has the tables turned on him. Almost always seen antagonizing other characters, this comic shows him in a rare moment of losing face. [[Megan]] notices Black Hat facing away from [[Cueball]] and her, and decides to play a simple, childish prank on him: sneaking up from behind and shouting "Boo!". |
| − | She succeeds in startling Black Hat. Most likely out of humiliation, he hides himself completely in his hat. For a moment, it looks like Black Hat has disappeared altogether. But then his hat inches away, showing that he's still underneath. It is possible that he was set on edge by Danish, as the period from | + | She succeeds in startling Black Hat. Most likely out of humiliation, he hides himself completely in his hat. For a moment, it looks like Black Hat has disappeared altogether. But then his hat inches away, showing that he's still underneath. It is possible that he was set on edge by Danish, as the period from journals 3-5 was clearly an emotional time for him. |
| − | Both gags in this comic work by playing on our expectations. The first is an unexpected moment of realism: we are so used to seeing Black Hat cool and untroubled that we are surprised at the reminder that everyone's appearance is, to some extent, a facade. Black Hat is still human. (The comic | + | Both gags in this comic work by playing on our expectations. The first is an unexpected moment of realism: we are so used to seeing Black Hat cool and untroubled that we are surprised at the reminder that everyone's appearance is, to some extent, a facade. Black Hat is still human. (The comic ''Hats'' is related to this one as it is also about black hats and how the usually all powerful Black Hat becomes the smaller one, in this case in tallness of hat towers.) |
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The second gag, on the other hand, is the opposite: we are so used to understanding the stick figures (and specifically the established character that is Black Hat) as representing regular humans, albeit ones with larger-than-life personalities, that we're caught by surprise to see Black Hat so thoroughly defy realism in a fashion not unlike what one could find in a Tex Avery-type cartoon. Among the further interpretations of the gag, one could see: | The second gag, on the other hand, is the opposite: we are so used to understanding the stick figures (and specifically the established character that is Black Hat) as representing regular humans, albeit ones with larger-than-life personalities, that we're caught by surprise to see Black Hat so thoroughly defy realism in a fashion not unlike what one could find in a Tex Avery-type cartoon. Among the further interpretations of the gag, one could see: | ||
* a literal interpretation of a stick figure, with minimal volume, folding up into a hat, thus defying the readers' habit of seeing the stick figures as representations of real humans of flesh and blood; | * a literal interpretation of a stick figure, with minimal volume, folding up into a hat, thus defying the readers' habit of seeing the stick figures as representations of real humans of flesh and blood; | ||
| − | * a joke on Black Hat's nickname, as the nicknamed "reduces him to his black hat, | + | * a joke on Black Hat's nickname, as the nicknamed "reduces him to his black hat", which is what Black Hat ''literally'' does to himself; |
| − | * a suggestion that Black Hat is an otherworldly being running more on his own fancies than the laws of reality (which would explain how he pulls off many of the things he does | + | * a suggestion that Black Hat is an otherworldly being running more on his own fancies than the laws of reality (which would explain how he pulls off many of the things he does). This interpretation is rendered all the more likely by the fact that Cueball and Megan's reactions make it clear that Black Hat's actions ''should not be possible'' in the world of the comic as ''they'' understand it. |
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| + | The title text is only "...", implying Randall himself shares the reaction of Cueball and Megan, who are left speechless and immobile in the last panels as Black Hat completes his physics-defying stint. "..." as title text is shared by [[82: Frame]] and [[455: Hats]]; in this line, one could say that ''Startled'' is a somewhat surreal comic, and any further commentary might have detrimentally brought it down to Earth which could also be said of these two other comics. | ||
==Transcript== | ==Transcript== | ||
| − | :[ | + | :[Cueball and Megan standing to one side, she is looking at Cueball while pointing both at Cueball and at Black Hat who is standing some distance away facing away from them in this wide panel.] |
| − | :[ | + | :[Zoom in as Megan sneaks up close to Black Hat who now looks a little upwards, in this normal sized panel.] |
| − | :[An inserted panel only half the | + | :[An inserted panel only half the hight of the normal panels, but with it's top lifted slightly above their levels and with it's frame crossing both the previous and the next normal. It shows a close-up of Megan with hands raised while shouting.] |
:Megan: Boo! | :Megan: Boo! | ||
| − | :[Only Black Hat is shown in this thin panel. He looks shocked | + | :[Only Black Hat is shown in this thin panel. He looks shocked indicated by him taking his hands to his face, lines behind his head and that his hat jumps up above his head, showing that he has a bit of hair under it.] |
| − | :[The next three panels | + | :[The next three panels is even thinner than the previous, but they stay the same size. First the hat falls down over Black Hat's head down to his shoulders, without the hat changes size. The movement is indicated with two lines above the hat. Black Hat crosses his arms across his chest and bends in the knees.] |
:[Then the hat keeps falling over his body, swallowing it so only his legs below his knees are visible.] | :[Then the hat keeps falling over his body, swallowing it so only his legs below his knees are visible.] | ||
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:''Fwump'' | :''Fwump'' | ||
| − | :[The last two panels | + | :[The last two panels is in another row below the previous panel, but there are no panels under the two first panels in the first row. This could indicate that time has passed, or is just a way to create a dramatic effect as with all the other changes in panel size and position above. This panels width is somewhere between the first two panels. Cueball and Megan looks at the hat, Cueball with a hand in front of his mouth.] |
| − | :[The last panel is as wide as the first, but extends | + | :[The last panel is as wide as the first, but extends further to the right than the last panel in he first row, again breaking the symmetry. Megan and Cueball still looks on (both with hands down) as the hat begins to crawl away. The movement makes sounds and is indicated with four lines behind the hat now further away from the two.] |
:''Scooch Scooch Scooch'' | :''Scooch Scooch Scooch'' | ||
