Editing 915: Connoisseur
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==Explanation== | ==Explanation== | ||
− | [[White Hat]] is fond of good | + | [[White Hat]] is fond of good wine, and he can distinguish slight differences in different types of wine. On the other hand, [[Cueball]] doesn't mind a kind of wine or another; all of them taste the same for him. When White Hat tells Cueball that he should pay more attention to types of wine, Cueball answers that wine is not different than anything else in this respect, and chooses pictures of {{w|Joe Biden}}, famously gaffe prone {{w|Vice President of the United States}}, eating a sandwich as an example. |
− | Cueball | + | In the last panel, apparently White Hat and Cueball are actually running an experiment to see if people will concentrate on slight differences among pictures of Joe Biden eating a sandwich, just in the same way that White Hat concentrates on slight differences among kinds of wine. The result of the experiment is clearly going to Cueball's side. |
− | + | The title text presents the same idea in a different wording. The "scale of our brains" refers to a concept similar to Richard Dawkins' {{w|Middle World}}, where things too small (say, smaller than the point of a pin) or too big (bigger than what we can see from a mountaintop) are just out of our comprehension, so the things our brains understand must be neither too small nor too big, i.e. the "middle world". | |
− | + | However, the title text goes further in this idea: When we find things too big (like the distance to the Moon), we shrink it so that it fits into the "middle world" we're used to. Conversely, when we find things too small (say, a mote of dust), we expand it for the same reason. In a quite similar way, if all we have is pictures of Joe Biden eating a sandwich, we "resize" that subject so that we can fill books with the details about the pictures. | |
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==Transcript== | ==Transcript== | ||
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:Cueball: Spend enough time with any of them and you'll become a snobby connoisseur. | :Cueball: Spend enough time with any of them and you'll become a snobby connoisseur. | ||
− | :[This panel has no border | + | :[This panel has no border and is next to but aligned further down than the first three panels. It shows a zoom out of both White Hat and Cueball again. White Hat now has both glass and bottle held down at his side. Cueball holds his glass down, but tilted away from him. A small puddle of wine is on the floor next to Cueball.] |
:White Hat: But some things do have more depth than others. | :White Hat: But some things do have more depth than others. | ||
− | :Cueball: If you locked people in a box for a year with 500 still frames of Joe Biden eating a sandwich, by the end they'd be adamant that some were great and some terrible. | + | :Cueball: If you locked people in a box for a year with 500 still frames of Joe Biden eating a sandwich, by the end they'd be adamant that some were great and some were terrible. |
:White Hat: You're exaggerating. | :White Hat: You're exaggerating. | ||
:Cueball: Oh, really? | :Cueball: Oh, really? | ||
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:[This panel is below the feet of the two characters from the previous panel. It goes further to the left than those two, and is wider than the previous panels, but it does not go much past the middle, so there is a blank white space to the left of this panel, below the first and most of the second panel. It shows a box, with two star burst on the surface from where two voices emanate from the inside. Over the top left of the panels frame is a small frame with a caption:] | :[This panel is below the feet of the two characters from the previous panel. It goes further to the left than those two, and is wider than the previous panels, but it does not go much past the middle, so there is a blank white space to the left of this panel, below the first and most of the second panel. It shows a box, with two star burst on the surface from where two voices emanate from the inside. Over the top left of the panels frame is a small frame with a caption:] | ||
:A year later: | :A year later: | ||
− | + | :Voice (from left side of the box): Sure, most closed-mouth frames are boring, but in #415, the way the man's jaw frames the mayo on his hand is pure perfection, and— | |
− | : | + | :Voice (from right side of the box): What a surprise- ''you'' praising a mayo frame. Listening to '''you''', I'd think there was nothing else in The Sandwich. |
− | + | :Voice (from right side of the box): Frankly, the light hitting J.B.'s collar through the lettuce would put #242 in my top ten even if he had ''no'' mayo on his hand at ''all''. | |
− | :Sure, most closed-mouth frames are boring, but in #415, the way the man's jaw frames the mayo on his hand is pure perfection, and— | ||
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− | :What a surprise- ''you'' praising a mayo frame. Listening to '''you''', I'd think there was nothing else in The Sandwich. | ||
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− | :Frankly, the light hitting J.B.'s collar through the lettuce would put #242 in my top ten even if he had ''no'' mayo on his hand at ''all'' | ||
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{{comic discussion}} | {{comic discussion}} | ||
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[[Category:Music]] <!-- House Music --> | [[Category:Music]] <!-- House Music --> | ||
[[Category:Sex]] <!-- Canadian surrealist porn --> | [[Category:Sex]] <!-- Canadian surrealist porn --> | ||
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